Moda IX

Donegal Blanket (2022). cut paper and acrylic paint. From the book Barefoot and Other Stories, available at Amazon Books. Artwork and text copyright Danny Grosso.

The thing was so big he thought he could wrap it around himself twice. Indeed, he was glad the belt had extra length to accommodate the bulk of crumpled fabric when he tied it at his waist. Like a giant robe, or a great donegal tweed blanket, the thing enveloped him, and carved out a new shape to be set against the silver clouds of winter. “If we get lost on the Great Plains, we could make that thing into a teepee,” she said, upon seeing him drape himself in the thing for this first time. It was true that it was oversized, and maybe even ostentatious, with its wide lapels and near-duster length, but it fit well over the layers he wore in winter as he slogged through his day in the city. A dressed up warming device, was how he thought of it, and he wore it often, even while he was looking for a salt and pepper cap to pair with it. When, after disrobing, he threw it onto a sofa, it made a substantial sound that he quite liked, as if the noise attested to his accomplishment of undergirding that woolen mantle all day. He often had to wear it over a suit but he secretly liked it best when he could wear it over thick, dark sweaters and jeans that were tucked into his black, 18 eye Dr. Martens. On those nights you could see him running through the alleys, sloshing through the snow, those long coat tails aloft behind him like some great speckled bird.

-Danny Grosso

Instagram @artispolitics

Buy books! My Amazon author’s page: amazon.com/author/dannygrosso

Moda VIII

Whites (2022). Cut paper and acrylic paint. From the book Barefoot and Other Stories, available at Amazon Books. Artwork and text copyright Danny Grosso.

People in the city started to use the word “fresh” to describe stylish clothing long after he associated the word with with a certain outfit. The “Whites”, or specifically, a white linen suit, were something he craved to feel on his body just after the first of the year, when the velvets of the holidays had passed, and he was beginning to grow weary of his heavy tweeds. The climate was too cold to jump start the fashion season, pre-Easter Glamour Don’ts column aside, so he’d wait in anticipation for the first really warm day, even if that day landed in June. As a bonus for waiting, perhaps he’d have a bit of color on his face by then as well. When the day came, sunny and bright, the prospect of the glory of the lightness of it all sometimes interfered with his sleep the night before. That aside, there were some practical problems that popped up during the first wearing each year. The streets were often still dirty from a winter of snow and ice abatement, mixed with the oily droppings of vehicular traffic. Salt was often still present at corners, and without a hard and warm rain, the grey dust of the pavements could puff up with each footfall. The Armani break of trouser legs sometimes allowed the hems to brush too close to the gunk underfoot. The need for scrubbing was evident with disrobing. Also, the weather was especially unreliable in spring, where a sunny day could devolve into rain, melting the form of his Whites into a pasty cling. With that often came a terrible cold front, against which the light as air garments provided little defense.

Still, he soldiered on with this ritual of first wearing, sometimes making small compensations, like an umbrella in the car, or a raincoat at the ready, but mostly he took his chances, as one does with the things one loves.

The lightness and freedom of it all, the breezy billow of it, the feeling of release after the invernal bundling, all of this, in a simplistic, but practical way, made him feel a bit hopeful, and sometimes that is enough for a late April morning.

Danny Grosso