Paris (2021). Acrylic on mounted photographic print. From my book Holograms and Long Tweeds, available at Amazon Books.
Excerpt: The technology introduced itself, unannounced, and soon everyone was floating above the city. In time, the tech was outlawed among civilians, but the authorities kept it and refined it, and there were cops and federal agents flying about like pigeons.
The company that had perfected the anti-gravity implant that had enabled the floaters was rumored to be Chinese, but there was no way for civilians to know that for sure. The corporations that made the stuff that makes the world had gotten so big over the first half of the 21st century that the influence that all garnered bought them a lot of secrecy, and government complicity. They really had to pose a danger to order, not safety, but order, to generate adverse regulation. The floaters peering into the windows of the ivory towers accomplished the fear of disorder, and besides, governments would become the biggest consumers of this technology anyway, so the regulation, or the deal, was implemented.
But for a few weeks in between, the life above the rooftops was wonderful.
From my story Paris, from my book Holograms and Long Tweeds.
My amazon author’s page: amazon.com/author/dannygrosso
Koni (2022). Acrylic on wood. From my book, Holograms and Long Tweeds, available at Amazon Books. Artwork and text copyright Danny Grosso.
Excerpt: Blink. That’s what the light did, blink, the one that was supposed to remain steady. Also, it was red, not green, which meant that this alternate powered vehicle was not starting up again any time soon.
They called this the neon district, because a century and a half ago it had gas-illuminated tubes announcing the identities of shopkeepers. Now the lights were new energy, and blanketed the night streets with color. As he exited the vehicle, the pallor changed from violet to orange. The chip in his hand had signaled is favorite color. The mist in the air from the passing showers gave the district some extra humidity, and the cafeteria to his left seeped its cold moisture onto the window panes. It had been doing so for a while, it seemed – some of the sludge had greened.
He crept out slowly. Modern vehicles didn’t give out meekly, and this could be a trap. His reinforced collar was up to protect against a neck attack. and he had some jacket plates, but he knew how many vulnerable targets he presented on his person, especially to some of the new micro weaponry. At least he wouldn’t feel it – they say the jab was so small, the victims are unaware of the wounding.
Around him swam the iridescent babyflies and vapor gauzes, products of climate-driven rapid evolution. His grandfather, negotiating these same streets, would never have known these beings. He’d turned and scanned enough now, and stepping forward, he heard a crash. From his quick-held crouch, he saw that the noise was one the old man might have recognized. And old metal can crashing onto the pavement. Most of those receptacles had been long ago confiscated for upselling. He rose and stepped out, into the wet, into the steam, into the colored lights that went tangerine as he passed.
So much had changed since the old man’s days here, yet, like the geezer, he still carried a hand-held weapon. He grabbed it from its holster at the small of his back, and ducked into a dark alley. At the end of it was a door the color of a verdant meadow, like the natural spaces that once thrived outside of the city. It was lit by a single light cell, so that the base of the door was obscured, but he could make out a figure laying low on the landing. Now his weapon pulled him along. Making his way forward against a black painted wall, stepping and re-setting, one foot forward and then the other pulled even, he made a slow approach. Perhaps a bit too slow.
When he reached the doorway, the figure had disappeared, as often happened in this time of disappearances, holographic, and otherwise. He only hoped that the men that now appeared in the darkness behind him would have the same unsatisfactory visual experience.
–Danny Grosso
Excerpted from my story, Blink, from my book, Holograms and Long Tweeds.
My Amazon author’s page: amazon.com/author/dannygrosso