And More Sci-Fi Adventures

Koni (2022). Acrylic on wood. From my book, Holograms and Long Tweeds, available at Amazon Books. Artwork and text copyright Danny Grosso.

Excerpt: Blink. That’s what the light did, blink, the one that was supposed to remain steady. Also, it was red, not green, which meant that this alternate powered vehicle was not starting up again any time soon.

They called this the neon district, because a century and a half ago it had gas-illuminated tubes announcing the identities of shopkeepers. Now the lights were new energy, and blanketed the night streets with color. As he exited the vehicle, the pallor changed from violet to orange. The chip in his hand had signaled is favorite color. The mist in the air from the passing showers gave the district some extra humidity, and the cafeteria to his left seeped its cold moisture onto the window panes. It had been doing so for a while, it seemed – some of the sludge had greened.

He crept out slowly. Modern vehicles didn’t give out meekly, and this could be a trap. His reinforced collar was up to protect against a neck attack. and he had some jacket plates, but he knew how many vulnerable targets he presented on his person, especially to some of the new micro weaponry. At least he wouldn’t feel it – they say the jab was so small, the victims are unaware of the wounding.

Around him swam the iridescent babyflies and vapor gauzes, products of climate-driven rapid evolution. His grandfather, negotiating these same streets, would never have known these beings. He’d turned and scanned enough now, and stepping forward, he heard a crash. From his quick-held crouch, he saw that the noise was one the old man might have recognized. And old metal can crashing onto the pavement. Most of those receptacles had been long ago confiscated for upselling. He rose and stepped out, into the wet, into the steam, into the colored lights that went tangerine as he passed.

So much had changed since the old man’s days here, yet, like the geezer, he still carried a hand-held weapon. He grabbed it from its holster at the small of his back, and ducked into a dark alley. At the end of it was a door the color of a verdant meadow, like the natural spaces that once thrived outside of the city. It was lit by a single light cell, so that the base of the door was obscured, but he could make out a figure laying low on the landing. Now his weapon pulled him along. Making his way forward against a black painted wall, stepping and re-setting, one foot forward and then the other pulled even, he made a slow approach. Perhaps a bit too slow.

When he reached the doorway, the figure had disappeared, as often happened in this time of disappearances, holographic, and otherwise. He only hoped that the men that now appeared in the darkness behind him would have the same unsatisfactory visual experience.

Danny Grosso

Excerpted from my story, Blink, from my book, Holograms and Long Tweeds.

My Amazon author’s page: amazon.com/author/dannygrosso

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Do Sci-Fi Characters Need to Dream?

From the Dream (2014). Oil on canvas. Artwork and text copyright Danny Grosso. From my book, Holograms and Long Tweeds, available at Amazon Books.

Excerpt: We passed through some thing, or just were dragged into this low altitude somehow. Either way, everything changed, perspective-wise, meaning the way we saw things, or what we saw. I still can’t tell. We went in low across a flat beach, where three identical beings, humanoid, I think, were running beneath us. Coats, hair, trot, everything matched. I made me wonder whether I had seen only one of them, and that the atmosphere had done the rest, faceting and kaleidoscoping the one into three, or more, really, I couldn’t see what was coming up behind them. The light was Vegas bright, and it was really quite beautiful for a moment, but then…

I couldn’t tell if they were running from or to something. Also, they were running close to the speed of our craft, which was impossible for any being we’ve ever encountered. Beneath our craft, where our shadow should have enveloped the turquoise shimmer in darkness, the shadow instead, almost transparent, portrayed a huge humanoid being, long and skinny, winged and gliding along behind the runners. There was a curved bank up ahead crowned by some greenery, and we determined to head out for that but the target never got any nearer, while the same scene below played out as if in a loop. “Punch it Freddy, ” I said to my crewmate, and he said he did, but nothing changed, though suddenly he sang out the lyrics to an ancient song about all reality emanating from some guy’s dreams. I was looking around for another reference point in the distance, and finding none, I let my gaze sink to the winged shadow beneath us. Its pinions were moving now, but instead of proceeding ahead of us the shadow seemed to be moving higher, growing as it got closer to us. I hit the synthporter and was placed for a few safe seconds in the app, down among the runners. They were really moving, the wind in my face was g-force. I looked up to see that there was nothing between our triangular vessel and the beach. And then I was back up there again. In my seat the vista ahead was tranquil, even as a golden light enveloped the scene. It turned white after a moment, and erased everything before us. We were suspended for a few seconds, like an old time bomber among the clouds.

A second later we were back in orbit outside of the rock’s atmosphere. I couldn’t tell if I had been asleep, Fred didn’t know either, regarding either of us. I was left bewildered, but with the inexplicable desire to head for darkness, in one of the inner chambers, to ruminate. I remembered Fred’s singing, “From the dream… comes the vision…”. Perhaps something must come from this moment.

Danny Grosso

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Book News

Now available at Amazon Books. Holograms and Long Tweeds. Sci-fi, alternate histories, and thrillers derived from and including my paintings. This collection is a departure from my previous releases, and the stories and pictures may transport the reader to places on earth and elsewhere that lie beyond quotidian concerns. Among the plot lines of these eleven stories: a Halloween tradition evolves from a troubling mystery; a 22nd century cop encounters his father’s legacy in a rain-drenched city; a nascent technology allows two lovers to float above Paris; acts of treachery delay the reckonings of the American Civil War. Filled with poignant painted images, this book holds strong appeal for both the reader and the art lover.

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