The Compromise (2018). Acrylic on paper. Artwork and text copyright Danny Grosso.
Continuing the expeditions of Jeff MacNelly, James Kilpatrick, and Eugene McCarthy, with apologies.
The Compromise
Thought to be extinct for at least two election cycles, the Compromise has become the Capitol’s UFO – rarely seen but always fleeting. Forever enigmatic, even in its heyday among back-slapping country club pols, the long-armed Compromise of late became more the spectre or puff of smoke, a trail leading to nowhere, a closing door. Once the aspirational ideal of the ambitious, the creature is now a discarded relic of bygone age. However, it has long been thought that the Compromise had, in opportune times, rooted itself into the Constitutional system. If true, this forecasts the possible return of the species under proper conditions.
The Gerrymander (2018). Acrylic on Paper. Artwork and text copyright Danny Grosso.
Continuing the expeditions of Jeff MacNelly, James Kilpatrick, and Eugene McCarthy, with apologies.
The Gerrymander
Part fanciful artistry and part killer calculation, the Gerrymander is a fluid, long-tailed and hump-backed beast, sometimes horned and toothsome, borne of the angry coupling of partisan victory and mercilessness. It fashions its lair by stealing away bits and pieces of its neighbors’ holdings until it has assembled a safe, homogeneous district to call home. It then sets about making rules for the manse designed to convince those unlikely to conform that they should remove themselves from the district. The ensuing exodus ingeniously insures the survival of the new rules by purging dissenting voices, thereby also guaranteeing the safety of the Gerrymander itself.
The Gerrymander is content to lie quietly in its misshapen habitat, and await its eventual demise that will come with a change of legislative majority. The lifespan of the species was once thought to be short, but is now clearly increasing. This is likely due to a recent change of climate that provides for the growth of a sheltering political canopy – one that may protect the Gerrymander from its traditional enemies, reform and sunlight.
The Climber (2018). Oil and acrylic on paper. Artwork and text copyright Danny Grosso.
Continuing the expeditions of Jeff MacNelly, James Kilpatrick, and Eugene McCarthy, with apologies.
The Climber
Drawn to power, Climbers are rumored to have been present, in immaculately powdered wigs, at the opening of the very first Capitol chambers in D.C. The species has changed its appearance over time through the use of a chameleon-like talent for mirroring the prevailing sartorial and social trends of the era. Its intellectual ambivalence and moral flexibility allows it to use its greatest tool, the ability to ingratiate, with aplomb. Ever eager to please, the Climber portrays itself as selfless, perhaps to disguise the fact that it seeks only to further its own selfish agenda. Its life is a ceaseless effort to push itself up the political, social, or professional ladder on which it resides. Climbers have no sense of personal space or decorum, and can often be seen at the heels, or in the side offices, of some of the town’s most disreputable, yet powerful, people. They are so plentiful and adaptive that they, at times, may seem indistinguishable from their powerful superiors. However, around holidays, a strange penchant for costumes is often the trait that betrays the Climber and its well-known obsession for blending in. One easy tip for those interested in further study: find the staffer in the bunny costume at the White House Easter Egg Roll.
The Stubborn Base (2018). Oil and acrylic on paper. Artwork and text copyright Danny Grosso.
Continuing the expeditions of Jeff MacNelly, James Kilpatrick, and Eugene McCarthy, with apologies.
The Stubborn Base
The Stubborn Base is an infectious, multi-entity organism that harnesses its throngs of moving parts for the converse purpose of denying movement. It is often grouped in boisterous regional colonies that seem desirable to otherwise unindoctrinated outsiders looking for a place to belong. Perceived desirability is the ruse by which the SB spreads its contagion – for it is often predation, not accommodation, that guides this organism’s behavior. Once the colony peaks the interest of its prey, the SB then momentarily distracts it by offering the illusion of fealty in great numbers. It then unleashes its pestilence. Neophytes and second-tier candidates are seduced by overtures in chorus from the SB, only to find out later, sadly, that the organism is tone deaf. Alas, by then it is too late; the SB has already infected the unsuspecting victim, depriving it of any capacity for original thought. Moreover, the contagion leaves any associated campaign paralyzed by outdated dogmas, polarizing rhetoric, and web-like infra-alliances that weigh down, slow, and eventually halt any vital momentum.
The SB can take many forms, but may sometimes be identified by blocky growths on the feet of its sub-entity members, the presence of wall-like physical and rhetorical structures around the colony, and the tacky habit of members wearing similar headgear.
Unindicted Co-conspirator (2018). Oil and acrylic on wood. Artwork and text copyright Danny Grosso.
Continuing the expeditions of Jeff MacNelly, James Kilpatrick, and Eugene McCarthy, with apologies.
The Unindicted Co-conspirator
Outside of its shadowy normal habitat, the Unindicted Co-conspirator may resemble many other denizens of the marshy District of Columbia. However, the UC is rather easily distinguishable from its neighbors in that, out of evolutionary necessity, it has developed a third eye. Swiveling around on the back of its head, the tertiary oculus allows the UC to be alert for the impending danger it always senses, especially from its traditional enemies, the Previously Undisclosed Witness, the Surprise Courtroom Testimony, and of course, the Special Counsel.
The Unindicted Co-conspirator prefers the protection of shadows in dark corners of Capitol buildings, where it can wait out its life span as that span comes to be determined by judicial proceedings or statutes of limitation. However, sometimes a UC is forced by circumstances of its own position to hide in plain sight – attending committee or cabinet meetings, or making grandiose speeches out on the hustings, all in broad daylight, where it dons the camouflage of its societal rank and makes like a regular VIP. Under these conditions, if combined with with a strategic comb-over to disguise its distinguishing feature, a UC is hard for the layman to spot. Yet, there are reliable, identifying traits that transcend costumery. Look for a paranoiac, defensive posture on social media, a hyper-anxiety regarding breaking news TV banners, and an open and obvious avoidance of any contact with a related species – Indicted Co-conspirators, (IC’s).
Balloons (2000). Oil on canvas. Artwork and text copyright Danny Grosso.
In the golden age of our aspiration, the one just beyond our reach, where what is new and what is just are one and the same, children, all children, dream big, love freely, and live long, happy, and healthy lives.
We are a people too large and diverse to govern, yet persevere we must. There are children here whom, through separation, or despair, or violence, are in danger of entering a cycle of tragedy – and the government is a party to this.
No child should be made to believe that that he or she has no place in this world.
There is reason to think we can do better, to build a world where children may walk among the nations unfettered, where these angels shall have no reason to envy the heavens.
Nighttime on Low Life Corner ‘80 (2018) – Acrylic and oil on cardboard. Artwork and text copyright Danny Grosso. From my book, Out in the Street, available at Amazon Books.
The Slip Kid is late but
I’ve got the cash
to buy cigarettes and gas.
The Greek at the counter
says he’ll take a pass
on tomorrow’s race
he’s betting too fast.
Change in the pay phone
sounds like the Clash
but it’s her voice I hear
and I’m past it.
The neon bleeds on the window pane in
the middle of a starry sea and
into the phone she sings
La dee deeee dee dee dee –
come play on the corner with me.
Driving slow on streets aglow
boat on illuminated sea
port on a curb
more than I deserve
‘cause they’re always there waiting for me.
We’re nine tonight, more boys than girls
but double as the night unfurls and
when the Mars Lights appear
like a movie premiere
they make the blight disappear.
It’s not easy in this time of change
this American morning’s so strange
the flags returned but the jobs went away
and pushed us into the fray.
And now we run or stay and pray.
The neon bleeds on the window pane
in the middle of a starry sea
as a siren of the alleys she sings
La dee deeee dee dee dee –
come play on the corner with me.
Those days are like dreams
that the lights chased away
while alone in a shadow I stayed.
Still it’s real that I feel
your voice’s constant appeal
to never abide my dismay.
Step into my shadow I say;
you say come out and play.
-Danny Grosso
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